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Charlie Hutchinson: the only black Briton in the International Brigades

Form completed by Charlie Hutchinson in Spain, giving brief biographical details.
Form completed by Charlie Hutchinson in Spain, giving brief biographical details.

It’s widely known that within the American Lincoln Battalion of the International Brigades that served in the Spanish Civil War there were a number of African Americans. Most famously the Texan military veteran and Communist, Oliver Law, became the first Black American to command white troops in battle; when he was tragically killed at Brunete in July 1937, he had risen to the rank of commander of the American volunteers. What is much less known is that there was a black British volunteer serving in the British Battalion. His name was Charlie Hutchinson.

It’s perhaps not surprising that little known about Charlie for, apart from a small file held within the Comintern archives in Moscow, few details of his time in Spain remain and, sadly, no photographs. While it would be a stretch to discuss wider issues of race and prejudice within the International Brigades based on the record of one volunteer, his experiences do tell us much about the difficulties many Britons encountered when they wanted to go home. As one Scottish member of the battalion later explained, ‘while you could volunteer in, you couldn’t volunteer out.’1)Interview with John Tunnah, Imperial War Museum Sound Archive no. 840, reel 1.

We know that Charles William R. Hutchinson was born in Witney, Oxfordshire, on 10 May 1918. His mother, whose maiden name was Harper, was presumably not in a position to raise him, for Hutchinson tells of growing grew up in the National Children’s Home and Orphanage in London. In the spring of 1936, Hutchinson, who had just turned 18 years of age, was living in Fulham and working as a lorry driver. He was also Branch Chair of the local Young Communist League and it seems clear, from remarks he made later, that he had become personally involved in the battle against Mosley’s Blackshirts. In the late summer of 1936 this led him, like nearly 2500 from Britain and Ireland, to volunteer to go to Spain and personally take the fight to Franco, Hitler and Mussolini. As he explained: ‘’I am half black. I grew up in the National Children’s Home and Orphanage. Fascism meant hunger and war.’2)Charles Hutchinson cited in M.J. Hynes, ‘The British Battalion of the XVth International Brigade’, unpublished B.A. dissertation, University of Manchester, 1985, p. 40. For Charlie, as for the numerous Jewish volunteers, fascism was a real and personal threat, beyond any theoretical abstraction.

He left Britain in either late November or early December 1936 and was recorded by Special Branch as having ‘left for Spain to serve as machine gunner with Govt. Forces.’3)National Archives KV 5/112, p. 7. At this time the British Battalion had not yet been formed, so once in Spain he joined the British and Irish dominated Number One Company of the Marseillaise Battalion of the 14th International Brigade.4)He served in a section of Number One Company commanded by Joseph Kavanagh, a long-time member of the Communist Party from London. RGASPI 545/6/150, p. 92. He was with the unit when it was sent to contain a Rebel breakthrough at Lopera, on the Cordóba front in southern Spain. There, outnumbered and at the mercy of the Rebels’ overwhelming air dominance, the British and Irish company was cut to pieces. Charlie Hutchinson was wounded and a great number of his comrades – including Charles Darwin’s great-grandson, John Cornford – were killed.

Having recuperated from his wounds, Charlie was informed that he was going to be sent home due to his age, but he refused to leave.5)Bill Alexander, British Volunteers for Liberty, p. 73. So, rather than being sent to join his compatriots in the British Battalion then fighting on the Jarama front, he was transferred away from the line, assigned to be an ambulance driver with the 5th Republican Army Corps. However, while Charlie seemingly wanted to remain in Spain, his mother (from whom it seems he was no longer estranged) was of a different mind and she wrote in April 1937, citing his young age and pleading that he be sent home. This seem to have rather changed Charles’ feelings about leaving, partly because he was becoming worried about his step-father, who had been hospitalised with serious gastric problems.

Letter from Gallo (Luigi Longo) to Comrade Fusimaña, Commissar of the XV Republican Corps
Letter from Gallo (Luigi Longo) to Comrade Fusimaña, Commissar of the XV Republican Corps

Over the next few months, Charlie made a number of appeals to his superiors, garnering much support, but little success. The following June, he wrote a worried note explaining that he hadn’t received a letter from his parents for ten months, leading him to assume that they must be facing dire circumstances. Yet, rather than asking to be permanently repatriated, Hutchinson asked only that he might be granted a temporary leave of absence to deal with his family problems. ‘I have been in Spain since Nov 25th 1936’, he pleaded, ‘When I came to Spain I was 18½ yrs and not on one occasion have I use[d] my age for an excuse.’ Furthermore, Charlie was himself now suffering from health problems, so was becoming increasingly desperate.6)RGASPI 545/6/150, pp. 93-4.

Assessments by his superiors make it manifestly clear that the lack of progress was not as a result of any failure on Hutchinson’s part. Jim Ruskin, a Captain in Brigade Transmissions, recounted that both Hutchinson’s political views and his work were ‘Good [and] for his age quite developed.’7)ibid Likewise, Charlie’s senior officer in the Motorised Company of the 15th Army Corps, Harry Evans, described Hutchinson as ‘a hard and capable worker’.8)RGASPI, 545/6/150, p. 90.

Finally, in August 1938, an order was given that Hutchinson should be repatriated due to his young age and exemplary period of service. On the 27th of that month the Italian Communist, Luigi Longo, one of the most senior and powerful commanders of the International Brigades (known in Spain as ‘Gallo’), wrote to a Comrade Fusimaña, the Commissar of the XV Army Corps, on Hutchinson’s behalf:

Te ruego intervengas para que este Camarada obtenga un permiso de acuerdo con las ultimas disposiciones del Excmo. Senor Presidente del Consejo Ministros, Dr. NEGRIN.9)RGASPI 545/6/150, p. 83.
[I ask you to intervene so that this Comrade obtains a permit in accordance with the last dispositions of the Hon. Mr. President of the Ministers Council, Dr. Negrín.]

Despite this, nothing seems to have happened, for on 2 September 1938, Charlie sent another personal appeal, complaining that ‘I was 18 when I came to Spain and I feel it is just to[o] bad if the I.B. can release a kid of 20 y[ea]rs after nearly two years of good service.’10)RGASPI 545/6/150, p. 95.

His appeal was answered personally by Alonso ‘Lon’ Elliot, a former Cambridge University languages student, who worked under Luigi Longo in the Political Commissars’ headquarters in Madrid and in the Foreign Cadres Commission of the Spanish Communist Party in Barcelona. Elliott assured Charlie that he was taking a personal interest in his case and apologised that it still hadn’t been resolved. ‘For my part’, he wrote, ‘I will see that comrade Gallo is reminded of your case, and can assure you that everything that can be done from the Barcelona end will be done to help you. Best of luck, yours fraternally, AME.’ However, somewhat unhelpfully, he suggested that Charlie should raise the matter once again with his immediate superiors.11)Alonzo Elliott to Charles Hutchinson, 10 September 1938. RGASPI 545/6/150, p. 85.

After all these efforts on Hutchinson’s behalf, one might assume that he would have been repatriated with the other British volunteers, following their withdrawal from the front in September. However, when the survivors of the British Battalion crossed the border into France on 6 December 1938, the unfortunate Hutchinson was not among them. Only on 19 December, nearly two weeks later, was he finally released from service and repatriated.12)On 15 December 1938, Hutchinson was at Ripoll, in northern Spain, still awaiting repatriation. RGASPI 545/6/150, p. 78.

That a request to repatriate one British volunteer should thwart the efforts of several senior figures in the International Brigades rather flies in the face of the view that the Brigades were a highly-disciplined, strictly-hierarchical organisation, where commanders, such as Longo, held absolute power and could act with impunity. While that could certainly be the case on occasion, it is important to recognise the corrosive effect the war had on the Republicans’ political and military efficacy. As Paddy O’Daire, one of several Irish commanders of the British Battalion accurately observed, ‘all war’s a muddle.’13)Interview with Harry Fraser, Manchester History Archive, tape 241, reel 1, side 2.

As yet, little evidence can be found of Hutchinson’s later life. We do know that Charlie was one of the first of the Spanish veterans to volunteer for service in the British Army in the Second World War. He served for a time in Iran, before being transferred to France in 1944, just after D-Day.14)Volunteer for Liberty, Vol. 6, No. 3, July 1945, p. 7. And in early 1947, a Charles W. Hutchinson was married to a Patricia L. Holloway and the same individual reappears in the electoral register of 1958, living at 11 Argyll Mansions, Fulham, London. Records suggest that he later moved to Bournemouth, where he died in March 1993, aged 74.15)Many thanks to John Halstead for the details gleaned from census and registry files.

Charlie Hutchinson occupies a unique position as the only mixed-race volunteer among the British volunteers in Spain, so it would be fitting if more details could be found about his life. However, there is one small detail that remains to tell: in 1985, while helping M.J. Hynes with his research for an undergraduate dissertation, Charlie Hutchinson (along with 65 other British International Brigaders) completed a questionnaire on his experiences as a volunteer in Spain. Whether the questionnaires themselves survived is unknown, but one snippet remains, allowing Charlie to have the last word on why he believed so many people from around the world joined him in choosing to risk their lives on behalf of the Spanish Republic:

The Brigaders came out of the working class; they came out of the battle of Cable Street, they came out of the struggles on the side turnings … they weren’t Communist, they weren’t Socialists, but they were anti-fascist.16)Charles Hutchinson, cited in Hynes, pp. 25-6.

References   [ + ]

1. Interview with John Tunnah, Imperial War Museum Sound Archive no. 840, reel 1.
2. Charles Hutchinson cited in M.J. Hynes, ‘The British Battalion of the XVth International Brigade’, unpublished B.A. dissertation, University of Manchester, 1985, p. 40.
3. National Archives KV 5/112, p. 7.
4. He served in a section of Number One Company commanded by Joseph Kavanagh, a long-time member of the Communist Party from London. RGASPI 545/6/150, p. 92.
5. Bill Alexander, British Volunteers for Liberty, p. 73.
6. RGASPI 545/6/150, pp. 93-4.
7. ibid
8. RGASPI, 545/6/150, p. 90.
9. RGASPI 545/6/150, p. 83.
10. RGASPI 545/6/150, p. 95.
11. Alonzo Elliott to Charles Hutchinson, 10 September 1938. RGASPI 545/6/150, p. 85.
12. On 15 December 1938, Hutchinson was at Ripoll, in northern Spain, still awaiting repatriation. RGASPI 545/6/150, p. 78.
13. Interview with Harry Fraser, Manchester History Archive, tape 241, reel 1, side 2.
14. Volunteer for Liberty, Vol. 6, No. 3, July 1945, p. 7.
15. Many thanks to John Halstead for the details gleaned from census and registry files.
16. Charles Hutchinson, cited in Hynes, pp. 25-6.

Review of Enrique Moradiellos’s Franco: Anatomy of a Dictator

For anyone who spends their working days immersed in the turbulent events of Twentieth Century Spain, the notion that anyone could have forgotten General Franco and his brutal regime seems far-fetched. However, the eminent Spanish historian, Enrique Moradiellos, believes that the gradual removal of the physical evidence of the Franco dictatorship – street-names, monuments, etc. – has led to a situation where many Spaniards, particularly the young, have forgotten the awful realities of life under Franco. Hence this new study of (or, rather, anatomy of) the dictator which examines in turn, Franco the man, Franco the ‘Caudillo’ and, finally, Franco’s regime.

The first section provides the reader with an astute depiction of Franco. Clearly the author – though scrupulously fair – is no supporter of the dictator, pointing out that even Franco’s own sister admitted that ‘cunning and caution define his character’. Commander of the Rebel air-force, General Kindélan, was apparently no more polite, portraying Franco in terms that might remind readers of someone rather more contemporary: ‘a man in the enviable position of believing everything that pleases him and forgetting or denying that which is disagreeable. Puffed up with pride, intoxicated by adulation and drunk on applause.’ ‘Franco’, wrote the American chargé d’affairs succinctly in 1950, ‘is the kind of Spaniard who likes to get into the movie without buying a ticket.’

Moradiellos outlines clearly Franco’s extraordinary rise to Generalissimo, pointing out (as have others, not least Franco himself), that his involvement in Spain’s colonial war in Morocco is key to any understanding of the man. The author remarks on Franco’s legendary skill in paying off Rightist groups against each other and his ruthlessness towards opponents, demonstrating that Franco always intended his dictatorship to be permanent. Moradiellos does concede that, despite his support to the Axis during the Second World War, Franco deftly ensured the survival of his regime. However, at the same time, he is very critical of the ‘bankruptcy of Western policy to oust him peacefully’ and their decision to allow the ‘Sentinel of the West’ back in to the fold. The author agrees with others that Franco’s abandonment of his disastrous policy of autarky in the 1950s led to much needed growth in Spain’s economy, though pointing out that it was not until the 1960s that Spain was transformed economically from an essentially agrarian feudal state into a modern industrialised nation.

Yet Spain was still a dictatorship, even if Franco was getting old and his regime was crumbling, beset by challenges: labour disputes, student protests, Catholic support for democracy & ETA terrorism. It was the assassination of the Prime Minster, Admiral Carrero Blanco, on 20 December 1973 that marked the beginning of the end for Franco’s regime and Moradiellos logically concludes his initial section with the dictator’s death in November 1975.

He then moves on to briskly discuss the notion of Franco as Caudillo. Moradiellos argues that the association of Franco with the term (and his quasi-religious ‘crusade’) was due mainly to Franco’s successful advance on Madrid in the autumn of 1936, though also to his iron control of the press and propaganda. Franco knew full well that Rightist conspirators understood that the coup depended on the army, giving him huge leverage and allowing his conscripted army to predominate over volunteer groups such as the Falange and Carlist militias. As Moradiellos argues, the military, Church and Falange authority ‘cemented the consistent cult of charismatic personality that would continue until his death in 1975.’

The book’s final section is much more discursive, academic even, looking to establish an over-arching definition of Franquismo, even though, as Moradiellos recognises, the longevity of Franco’s regime means attempting to provide one single definition is difficult. His fundamental question is: was it a traditional conservative military dictatorship, or a Spanish version of European fascist regimes? Clearly Franco felt it was a dictatorship and most historians would accept that labelling it simply as fascist is problematic: ‘Franco wasn’t a fascist, he was something much worse’, argues Paul Preston. Nevertheless, fascism was a part of the regime, even if it was absorbed into Francoism or used as ideological window-dressing. As Moradiellos argues, Franco’s regime was fascist for social rather than political reasons; it was fundamentally ‘a violent and extreme expression of a movement of reaction’.

While Enrique Moradiellos’s biography of Franco is undoubtedly scholarly, it’s not immediately clear that it contains enough new material (the final academic section aside) to appeal to someone who has already read one of the numerous earlier biographies. Still, clear and concise and well-written as it is, it will, no doubt, prove to be an important resource for students of contemporary Spanish history.

This review first appeared in ¡No Pasarán! 3:2018, pp. 20-21.

Geoffrey Servante – the gambling gunner

Geoffrey Servante, aged 98
Geoffrey Servante, aged 98

Over the last few years, several announcements have mourned the passing of the last of the British volunteers in the Spanish Civil War. First there was David Lomon, then Philip Tammer and most recently Stan Hilton, all of whom were hailed as ‘the last of the last’. In fact, none of them were. As a recent article by Carmelo García in The Times revealed, 99 year old veteran Geoffrey Servante is alive and well, living in a nursing home in the Forest of Dean.

Geoffrey’s Spanish adventure began in the summer of 1937. He was drinking in a Soho pub with his father, when he overheard a man claiming that it was no longer possible to join the International Brigades, as the Spanish border had been closed. ‘I bet I can join’, declared Geoffrey, impulsively. When the man insisted that there was ‘no chance’, Geoffrey refused to believe him, vowing ‘I’ll bet you a hundred quid I can do it’.

Geoffrey was hardly a typical volunteer for the International Brigades. He had been educated by Jesuits and had never joined a political party nor even a Trade Union: ‘I wasn’t politically inclined at all’, he confessed. However, he had served briefly in the Royal Marines and his earlier experience working on the Canadian–Pacific line helped him secure passage on a boat to Spain.

When they docked in Valencia, Geoffrey jumped ship and accosted a local, repeating the only Spanish phrase he knew: ‘¡Internacional Brigadas! ¡Internacional Brigadas!’ Surprisingly, it was enough to land him a rail ticket to Albacete, the headquarters of the International Brigades. Interviewed there by a Political Commissar, Geoffrey admitted that he was only 18 years old, and was consequently refused admission into the British Battalion, which was then being slaughtered on the Brunete battlefield. Instead, he was posted to a much less hazardous unit, an artillery battery then in training in Almansa, some 70km east of Albacete.

The Anglo-American artillery unit, known as the John Brown Battery, was commanded by an Estonian born American called Arthur Timpson, who had been trained in artillery in Moscow. Alongside Geoffrey were four other English volunteers, all under the watchful eye of their Sergeant, David King, a Communist Branch Secretary and former Royal Marine from Skipton in Yorkshire. Initially posted to the Estremadura front in south-west Spain, the battery was transferred to Toledo in December 1937, where it remained for the duration of the war.

With ammunition extremely scarce, the men rarely did much more than take the occasional pot shot at the enemy lines. However, on one of the few occasions when they were called upon, the battery members had just taken the opportunity to polish off a barrel of local brandy. Geoffrey, who was by his own admission utterly ‘sozzled’, did his valiant best to aim the gun, but the shell missed its target by miles. For this, Geoffrey was punished with six extra guard duties; ‘it was a very lax discipline’, he laughed. Only later did he discover that he had inadvertently scored a direct hit on a fascist officer’s car, blowing him, his aide-de-camp and the car to pieces.

When the majority of the International Brigades were withdrawn and repatriated at the end of 1938, the battery members remained in place, seemingly forgotten. Only in early 1939 were they withdrawn to Valencia, then on to Barcelona. From there, a narrow gauge railway took them half-way to the frontier and they then had to walk the remaining 80km, harassed constantly by Nationalist aircraft. Safely across the French border, Geoffrey and his comrades enjoyed a huge breakfast, courtesy of the International Red Cross, before being repatriated via Paris and Dieppe.

Geoffrey Servante during the Second World War
Geoffrey Servante during the Second World War

Within a year, Geoffrey was back in uniform, having been called up into the British Army. He had a relatively good war, spending three years in Egypt with the Royal Army Ordnance Corps and the Royal Electrical and Mechanical Engineers. After demobilisation, he worked for Marshalls, reconditioning military lorries, joining Vauxhall Motors in 1957, where he remained until he took early retirement twenty years later.

Only in 2009 did Geoffrey discover that the Spanish government had offered citizenship to surviving veterans of the International Brigades:

‘I heard on the radio that there were no more International Brigades left, and I said, ‘Well, that’s nonsense. There’s still me.’

When his daughter Honor contacted the Spanish embassy, Geoffrey was invited to London to sign the declaration entitling him to his Spanish passport. He still retains an interest in Spanish affairs; he is a strong supporter of Catalan independence and voted in the 2017 referendum. Geoffrey remains extremely proud to have fought for Spanish democracy and has no regrets. Well, perhaps one. When he returned from Spain and triumphantly called into the pub to collect his winnings, Geoffrey was saddened – and a little disappointed – to discover that his fellow gambler had passed away. So he never did get to see his £100.00.

This article first appeared in the IBMT‘s ¡No Pasarán! 2:2018, pp. 8-9.

Review of Sebastiaan Faber’s Memory Battles of the Spanish Civil War

When General Franco died in November 1975, he was convinced that his regime would continue after him, that ‘everything is tied down and well tied down’ (todo está atado y bien atado). Yet within three years, Spain had – surprisingly peacefully – been transformed into a democracy. This transition, however, demanded a huge sacrifice from the victims of Francoism, asking them to set aside their grievances and sign up to el pacto del olvido, the pact of forgetting. Fearful of sliding back into dictatorship, Spaniards kept the pact, though two generations later the consensus has essentially broken down. Grandchildren of the victims, far removed from the years of civil war and dictatorship, are proving to be less restrained than their parents and are demanding answers. For them, difficult and painful memories, like the thousands of unmarked graves by Spanish roadsides, are something to be unearthed, not forgotten.

Unsurprisingly, efforts to establish the truth behind the murder and persecution of thousands of victims has encountered considerable resistance from certain quarters in Spain. Consequently, battles over very different historical interpretations, the so-called ‘memory wars’, are currently being heatedly fought out within Spanish culture and society. It is onto this battlefield that Sebastiaan Faber, co-editor of ALBA’s excellent magazine, The Volunteer, and author of Anglo-American Hispanists of the Spanish Civil War has bravely ventured.

Laid out in five main sections, Memory Battles of the Spanish Civil War is an attempt to find answers to three key questions: How have fiction and photography shaped memory? How has democratic Spain dealt with the legacy of the civil war, the dictatorship and the transition and, finally, how have media producers and academics engaged with the process of ensuring that Spain progresses as a unified functioning democracy?

Sebastiaan begins an erudite, wide-ranging and thought-provoking discussion with a re-examination of the work and impact of Robert Capa, Gerda Taro and David Seymour (Chim), and the great Catalan photographer Agustí Centells. He amply demonstrates how the meaning of an image changed dramatically during the war, depending on its use and its context within a photographic montage. However, the author is no doubt correct when he argues that fascinating though they are, the images are unlikely to actually change historians’ view of the civil war.

The second section of the book tackles the central theme of historical memory and the conflicting narratives that exist in Spain, the argument between the value of recovering historical memory and the dangers of reopening of old wounds. As the author states, witnesses to the past, including historians, can also be witnesses in a trial of Francoism. Books such as Paul Preston’s Spanish Holocaust certainly provide ample evidence for the prosecution.

Alongside Helen Graham, Angel Viñas, Gabriel Jackson, and Pablo Sánchez León, Paul Preston appears in the third section, an examination of how current historians are interpreting, or ‘reframing’ the past. As you’d expect from this stellar collection of voices, there’s much of interest here. Angel Viñas is in typically bombastic form and I enjoyed Helen Graham’s optimistic assertion that history ‘is the ultimate antidote to any kind of over-simplification.’ While all historians choose the stories they want to write about, that doesn’t necessarily prevent them from doing so fairly and – relatively – objectively.

After a discussion of the contribution of three Spanish intellectuals, the book’s final section examines the role of fiction. It concludes with a look at some of the work of Javier Cercas, who has been widely translated into English. Cercas offers good advice, noting that ‘the first thing to do when reading a novel is to distrust the narrator.’ The same could be said of history itself, of course, where the eminent E.H. Carr famously advised students to ‘study the historian before you begin to study the facts.’

This book should prove to be of great interest to anyone interested in the history of (the history of) Spain and provides ample evidence that artists and writers are not neutral bystanders in these contemporary ‘memory wars’. It also asks intelligent questions of historians and academics: What is their role in all of this? Should they just comment from afar? Or should they positively engage? Sebastiaan Faber’s involvement with the Contratiempo collective and the open-access Universidad del Barrio in Madrid show his views clearly enough and will, I suspect, chime with many members of the IBMT. As the author states, ‘fields like history and politics are not just too important to leave to the experts; they are fields that should be of interest to everyone because they are everyone’s concern.’

This review first appeared in ¡No Pasarán! 2:2018, pp. 19-20.

Taro readings

On 16 January 2018, Sir John Kiszely (@JohnKiszely), the former Director General of the Defence Academy of the United Kingdom and National President of the Royal British Legion, posted a photograph on twitter, showing a doctor tenderly caring for his patient. She looked to be a young woman, lying prone with her eyes closed, arms folded across her abdomen and with blood flowing from her nose and mouth. She appeared ominously still. The gentle doctor, Sir John recounted proudly, was his father, who was working for the Spanish Republican medical services during the civil war of 1936-39.

Hungarian Doctor Johnnie Kiszely with patient (presumed to be Gerda Taro), July 1937.
Hungarian Doctor Johnnie Kiszely with patient (presumed to be Gerda Taro), July 1937.

As is often the case when photographs of international volunteers are posted – particularly by family members – the image proved immediately popular, with numerous users expressing their gratitude for the father’s efforts on behalf of the Spanish Republic and remarking on the sensitive and powerful nature of the image. However, one sharp-eyed user (@barne065) stunned those taking part in the discussion, by suggesting that the young woman in the photo could be Gerda Taro, the famous photo-journalist, who was tragically killed during the Battle of Brunete in July 1936, aged only 26. Following a number of eager requests, John posted an image of the rear of the photo, on which had been written a brief pencilled note:

Frente Brunete Junio 37.
(En Torrelodones)
Mrs Frank Capa = of ‘Ce Soire’ of Paris.
Killed at Brunete.

Possibly written later, the caption is incorrect in a number of details (the Battle of Brunete was in July, not June 1937 and Gerda Taro was the girlfriend of Robert Capa, rather than ‘Mrs Frank Capa’), but was nevertheless strongly supportive of the theory that the image was of Gerda Taro.

At this point, the discussion was picked up by the wider media. The journalist and author Giles Tremlett (@gilestremlett), who knows a good story when he sees one, quickly put together a piece for The Guardian. Having talked to historians and the author and filmmaker Jane Rogoyska (@janerogoyska), who is a published expert on Gerda Taro, Giles came to the conclusion that the photograph was genuine. There were clearly a number of unanswered questions and more research needed to be done, but it was Taro.

However, not everyone was convinced. A Spanish biographer of Taro, Fernando Olmeda, penned an article for the Spanish New Tribune listing his reasons to believe that (probably) the woman in the photo was not her. He pointed out the lack of signs of serious injury, inconsistent with someone who had been crushed by a tank, as Taro was known to have been. He also noted the obvious errors and inconsistencies within the text on the reverse and wondered not just who had written the text, but who had taken the photo? Was it an amateur, or was it, as the careful and elegant composition might suggest, a professional photographer? And if the latter, why did it not appear in the media at the time? After all, Gerda Taro was a major celebrity and her tragically premature death received widespread coverage. Olmeda concluded, not unreasonably, that with so much unclear or unknown, there was little possibility of a firm identification.

Rear of photo, identifying patient as ‘Mrs Frank Capa of “Ce Soire”. Killed at Brunete.’
Rear of photo, identifying patient as ‘Mrs Frank Capa of “Ce Soire”. Killed at Brunete.’

What Olmeda and other commentators may not have been aware of, is that the Hungarian Doctor, Janus (known as ‘Johnnie’ after the famous Hungarian Tarzan, Johnnie Weismuller) Kiszely was interviewed in 1992. The tape forms part of the Imperial War Museum’s Spanish Civil War Collection in London. According to the interview, the wounded young woman was rushed into the operating room at Torrelodones, to the west of Madrid, where Kiszely worked alongside British medics. He remembered her being ‘more or less dead when she came into my hands’. At that stage, he admitted, ‘I did not have a clue who she was … nor did the person who took the photograph.’ All Kiszely knew was that she was some kind of reporter. It was only later that he was informed of the identity of the mortally wounded young woman who he had just treated.

She was then taken away (if it were Taro, it would have been to the main 35 Division hospital at El Escorial, just under 20km away, where she later died), but Kizsely had no time to spend thinking about her. With more than 10 000 casualties passing through the hospital during the battle of Brunete, it was rare to have the time for anything but responding to the urgent needs of patients. Lacking the resources to treat everyone, Kiszely recounts how a number of French doctors went round at night, giving lethal injections to those who had been mortally wounded and had been left to die in the open air, ‘covered in flies and dust … not even cleaned up properly’.

Despite the widespread surprise at the photograph turning up so long after the event, it has in fact, appeared before, as a number of twitter users (@RevistaFv and @alexis_nogeur) have pointed out. The image (or a slightly less tightly cropped version), can be found in a chapter by the famous Catalan surgeon Moisès Brioggi, within a study of the Republican medical services, Sanidad de las Brigadas Internacionales. Unfortunately, it doesn’t add any further details, nor does it reveal the identity of the photographer. Sir John cannot add much to the story either, for the photo is the only image he possesses of his father in Spain. It didn’t arrive into his hands until after his father’s death, when it was passed to him at an International Brigade Association commemoration event.

In situations such as this, with so much unknown, it’s very difficult to categorically identify the woman in the photograph. However, both Jane Rogoyska and Irme Schaber, who have written biographies of Taro, believe it to be her. Furthermore, Professor Josef Kittler from the Centre for Vision, Speech and Signal Processing at the University of Surrey argued that, ‘based on the ear shape, the tip of the nose, the chin shape and the eyebrows, I am convinced that it is Gerda Taro with a very high probability.’ His opinion was backed up by forensic photographer, John Smith, who found no evidence to suggest that it wasn’t her and pointed out the lack of other possible explanations. As he asked – not unreasonably – just how many beautiful, young women with plucked eyebrows were there killed on the battlefield of Brunete?

Of course, it’s still not possible to say beyond any doubt that it’s Taro. While the errors in the text on the reverse are easily explained – it was in fact written by Johnnie Kiszely himself, many years after the civil war – Olmeda’s point that much is unknown remains a good one. All that can reasonably be stated is that, based on the currently available evidence (Kiszely’s interview, the text on the reverse of the photo and the similarity in appearance of the young woman to Gerda Taro) it is much more likely to be her, than anyone else.

Hugh Thomas and The Spanish Civil War

Hugh Thomas, in 2003.
Hugh Thomas, in 2003.

Many years ago now, I was a young(ish) undergraduate history student, excited at the prospect of taking a course in the Spanish Civil War. At the time, like many in Britain, my knowledge of one of the twentieth century’s most seismic events was based primarily, if not solely, on two works; one a memoir by a British novelist; the other, a novel by an American journalist and writer. Yet neither Orwell’s Homage to Catalonia nor Hemingway’s For Whom the Bell Tolls, important though they may be, can in any way be seen as histories of the conflict. Consequently, like many students before me and since, I immersed myself in the encyclopaedic study, The Spanish Civil War, by Hugh Thomas.

Born on 21 October 1931, Hugh Thomas was the son of a British colonial officer and nephew of Sir Shenton Thomas, the governor of Singapore, who surrendered to the Japanese in 1942. Hugh attended Sherborne School before going on to study history at Cambridge. He worked for a time at the Foreign Office, before leaving, so he said, over the Suez crisis. That same year he published his first novel, The World’s Game, which led to him being invited to submit a proposal for a history of the civil war in Spain.

Third revised edition of Hugh Thomas’s <i>The Spanish Civil War</i>
Third revised edition of Hugh Thomas’s The Spanish Civil War

Published in 1961, to coincide with the 25 year anniversary of its outbreak, The Spanish Civil War was generally well received by critics. Smuggled into Spain during the Franco dictatorship, it became a clandestine best-seller. Eminently readable and packed full of entertaining anecdotes, the book has become seen as the history of the civil war. It has now run to four editions and sold more than a million copies across the world. The book still appears on undergraduate reading lists today and I know that I am not the only historian of the civil war to consult it regularly. However, it is by no means faultless; there are many errors of fact and judgement and Thomas has rightly been accused of occasionally valuing narrative style above factual accuracy. Fortunately, revisions have gradually been made during later editions, such as the removal of the following offensive description of the International Brigaders: ‘Many of the British volunteers appear to have been persons who desired some outlet through which to purge some private grief or maladjustment.’

A year after the book’s publication, Hugh Thomas’s success allowed him to marry the glamorous Honorable Vanessa Jebb, daughter of Lord Gladwyn Jebb. A talented and popular lecturer, four years later, in 1966, Thomas was made Professor of History at the University of Reading. When he took a sabbatical in 1974 to concentrate on his writing, his research assistant, a promising young historian called Paul Preston, took over his teaching duties. Hugh Thomas’s 1700 page history of Cuba was published in 1971 followed, eight years later, by An Unfinished History of the World.

Meanwhile, the 1970s saw a shift in Hugh Thomas’s political allegiances. After an attempt to secure a Labour seat in North Kensington was stymied by Militant Tendency, he abandoned the Labour Party for the Conservatives’ free-market economics. Having replaced Keith Joseph as Chairman of her think-tank, the Centre for Policy Studies, Thomas became a favoured confidante of Margaret Thatcher and was a frequent guest at Downing Street and Chequers. In 1981 he was rewarded for his support when he was ennobled as Lord Thomas of Swynnerton.

A prodigious work ethic enabled him to continue his remarkable output of works on Spanish and Latin-American history. His substantial history of the Spanish Conquest of Mexico was published in 1993 and was followed by what many would argue was his crowning achievement, a trilogy about the Spanish Empire, consisting of Rivers of Gold (2003); The Golden Age: The Spanish Empire of Charles V (2010) and World Without End: The Global Empire of Philip II (2014).

Increasingly disillusioned by the Tories’ increasing Euro-scepticism, Lord Thomas crossed the floor of the House of Lords on 17 November 1997 to join the Liberal-Democrat benches. A committed Europhile, he maintained his opposition to the Brexit shambles right to the end. After suffering a stroke, Hugh Thomas died on 7 May 2017, leaving behind several unfinished projects, including an autobiography. He is survived by his wife Vanessa and their three children, Inigo, Isambard and Isabella.

An edited version of this post first appeared in issue 45 (3/2017) of the IBMT Magazine.

BBC Radio 3 Proms Extra

On 9 August 2017, I introduced a number of readings relating to the International Brigades, movingly delivered by actors Christopher Ecclestone and Yolanda Vazquez and by Margot Heinemann’s daughter, Jane Bernal. The event was a Radio 3 Proms extra, presented by Clemency Burton-Hill and produced by Karen Holden.

LINE-UP OF EXTRACTS

You Who Stand at Your Doors – Randolph Swingler (CE)

George Orwell – On what the International Brigades were fighting for (CE)

Why Go to Spain? – Explanation by London volunteer, Jason Gurney (CE)

Dance of Death – W.H. Auden (CE)

The Volunteer – Cecil Day-Lewis (CE)

Excited to arrive in Spain – Nottingham volunteer Walter Gregory (CE)

General Emilio Mola – On the Rebels’ deliberate use of terror (CE)

No Pasarán – Speech by Dolores Ibárruri (YV)

Poem (Heart of the heartless world) – John Cornford to Margot Heinemann (JB)

Farewell to the International Brigades – Passage from Dolores Ibárruri’s famous speech in October 1938 (YV)

George Orwell – On the horror of war (CE)

Speech at Oxford unveiling on 10 June 2017

Speaking at Oxford, 10 June 2017. Photo by Ric Mellis, © The Oxford Times
Speaking at Oxford, 10 June 2017. Photo by Ric Mellis, © The Oxford Times

In addition to being a historian, I am the Chair of the International Brigade Memorial Trust, a charity which keeps alive the memory and spirit of the men and women who volunteered to fight fascism – and those who supported them – during the Spanish Civil War of 1936-39.

The trust, made up of family members, friends, supporters and historians, organises events around the country, including the forthcoming national commemoration on 1 July in Jubilee Gardens on London’s South Bank. We provide assistance to those researching the International Brigades and the Spanish Civil War and promote the preservation of archives. Through our magazine, our eNewsletter, website and social media feeds, we keep our members and the wider public informed about developments concerning the memory and legacy of the International Brigades.

And, of course, we ensure that the more than 100 memorials to the volunteers located around the British Isles are maintained in good order. Where we can, we help new ones to be erected, such as this wonderful new monument. But all of this takes time and, more importantly, money. Please support us. If you are not yet a member, join. If you are a member, give generously. It really is money well spent.

For members of the Trust, the enduring significance of the International Brigades’ fight is not open to doubt. The recent, tragic events in Manchester and London are just the latest examples of the intolerance, bigotry and hatred – which we all know as fascism – that the International Brigades were determined to confront. The words of General Emilio Mola, the organiser of the Spanish military coup, could just as easily have come from those attacking democracy and pluralism today: ‘It is necessary to spread terror. We have to create the impression of mastery, eliminating without scruples or hesitation all those who do not think as we do.’

It was this kind of murderous ideology that spurred the 35 000 men and women from more than 52 countries from around the world to leave their homes, families and friends and volunteer to join the fight in Spain. The International Brigades fought in all the major battles in the civil war, from the last-ditch defence of Madrid in the autumn and winter of 1936-37, to the final, desperate Republican offensive across the River Ebro, in July 1938. Of 2500 to leave from the British Isles, more than 500 of them never returned.

The shattered remnants of the Brigades were withdrawn from the front in September 1938 and the following month in Barcelona, a huge farewell parade was held in their honour, famous for the speech by La Pasionaria, in which she invited the departing volunteers to return to Spain, ‘when the olive tree of peace puts forth its leaves, entwined with the laurels of the Spanish Republic’s victory’. It would be a long wait.

The tragedy of the Spanish Civil War is that despite the volunteers’ sacrifice, they – and the Republican Army in which they fought – were unable to defeat Franco and his German and Italian allies in Spain. Just as the volunteers had feared and prophesised, this led the way to six years of world war and the death of 60 million people.

It also led to more than thirty years of dictatorship in Spain. Only with the death of Franco in November 1975 could a democratic Spain emerge, which did not forget the gratitude conveyed by La Pasionaria so many years earlier. Efforts to express this by awarding Spanish nationality to the veterans of the International Brigades took some time to materialise, but in 2009, at a poignant ceremony in London, seven surviving British and Irish veterans were presented with Spanish passports. Anyone fortunate enough to be present that day will never forget the sight of the 94 year old Sam Lesser delivering an emotional thank you speech in fluent Castilian. The Spanish Ambassador to Britain, Carles Casajuana, responded graciously, assuring the handful of elderly survivors that:

Your efforts were not in vain. Your ideals are part of the foundations of our democracy in Spain today.

The volunteers were, to some extent, a paradoxical group of men and women: both ordinary and extraordinary at the same time. They were right to feel pride and we are right to feel pride in them. I would like to leave you today with the words of the popular London volunteer, Fred Thomas, who expressed his feelings with characteristic eloquence:

There were no medals to be won in Spain. But I believe that no man, not even that band of brothers who fought upon St. Crispin’s Day, nor that later Few of 1940, justly honoured though they may be, was ever prouder of his part than we who were of the International Brigade.

Carmen Negrín, grand-daughter of the last prime minster of the Spanish Republic, laying a wreath at the new memorial. Photo by Pauline Fraser
Carmen Negrín, grand-daughter of the last prime minster of the Spanish Republic, laying a wreath at the new memorial. Photo by Pauline Fraser

Using the online Moscow files

If you are looking for information on one of the 2500 or so British and Irish volunteers for the Spanish Civil War, it’s well worth considering tackling the RGASPI Archives, held in Moscow. In an amazing piece of good fortune for researchers, all the personnel files (or those that exist, at least) now seem to have been placed online. The majority of the documents are in English, though quite a few are in Spanish and a smaller number in French and German. That’s the good news. The bad news is that the website itself is all in Russian. However, if you know how to use the web, it’s not that difficult to negotiate. (And if you use Google Chrome, you can download the Google translate extension and convert the Cyrillic to English with a click.)

First, go to the home page of the 545/6 series here. You should be presented with something like this:

The first page of RGASPI’s 545/6 files
The first page of RGASPI’s 545/6 files

As you can see from the image, the files are in numerical order, with up to 50 listed on each page. If you scroll down to the bottom of the page, you will notice that you are looking at page number 1 of 33. The first of the British personnel files is on page number 3: file number 100, covering surnames from Aa to Ai (though the numerous lists contained in files 87-99 might also be worth looking at). Clicking the name of a file will take you to a summary, as shown in the screenshot below.

N.B. Top tip: if you intend to look at a number of different files, don’t left click on the file number from the index page. Instead, right click the link and select ‘Open Link in New Tab’ or ‘Open Link in New Window’. That way you keep open your original index page, rather than being returned to the first page each time. I found that this saved me a lot of time and hassle.

Summary of each file (here number 100 Aa-Ai)
Summary of each file (here number 100 Aa-Ai)

From the file summary page, click on the link halfway down the page marked ‘”Cyrillic text” 84’, which will take you to the first of five pages. From there it’s really just a process of browsing through until you find the individual you’re looking for. While some volunteers have extremely large, detailed files, others consist of little more than a mention. In general, the later they arrived in Spain and the longer they were there, the more detail there will be. Not so good if you’re looking for one of the many volunteers killed at Jarama in February 1937, unfortunately.

Copying files is a slow and laborious process I’m afraid as, as far as I can see, it has to be done one image at a time. If you find a better way, do please let me know!

p.s. If you want to explore further, the index page containing links to all six fonds (collections of files) can be found here and archivists in the Tamiment Library in New York have put together an extremely useful guide to all the RGASPI files, which can be found here.

p.p.s. For those looking for other nationalities in the predominantly English-speaking 15 International Brigade: Australian & New Zealander files begin at 545/6/67, Irish at 545/6/439, Canadians at 545/6/534 and Americans at 545/6/845 (though the first personnel file, Aa-Ai, is not until 545/6/855)

Good luck!

Art Revolutionaries!

Set in the heart of London’s commercial art gallery district, Mayoral’s ‘Art Revolutionaries’ is a homage to the Spanish Republic’s Pavilion in the famous Paris Exposition of 1937. The Spanish contribution deliberately and consciously expressed both the modernity of the Republic and the life and death struggle in which it was embroiled. The centrepiece, of course, was Picasso’s powerful depiction of the bombing of Guernica, prominently displayed at one end of a spacious, open auditorium.

This lovingly-curated exhibition goes to great lengths to recreate the impression of the original pavilion. On the first floor works by Pablo Picasso, Joan Miró, Alexander Calder and Julio González, many sourced from private collections, sit within a scale model of the original auditorium. Downstairs, interposed among detailed replicas of the original furniture, vivid Republican posters accompany a short film of the original 1937 exhibition, while helpful panels and displays of rich archival material recount the political and artistic context.

The exhibition has already been shown in Paris and Barcelona and when its time in London ends on 10 February 2017, there are no plans for it to go elsewhere. That, I think, is a shame. This (Mayoral’s wonderful catalogue aside) is the nearest most of us will get to experiencing the original Paris exposition. Based solely on what is on display here, it must surely have been a sight worth seeing.

This post first appeared in the March issue of The Volunteer.