Set in the heart of London’s commercial art gallery district, Mayoral’s ‘Art Revolutionaries’ is a homage to the Spanish Republic’s Pavilion in the famous Paris Exposition of 1937. The Spanish contribution deliberately and consciously expressed both the modernity of the Republic and the life and death struggle in which it was embroiled. The centrepiece, of course, was Picasso’s powerful depiction of the bombing of Guernica, prominently displayed at one end of a spacious, open auditorium.
This lovingly-curated exhibition goes to great lengths to recreate the impression of the original pavilion. On the first floor works by Pablo Picasso, Joan Miró, Alexander Calder and Julio González, many sourced from private collections, sit within a scale model of the original auditorium. Downstairs, interposed among detailed replicas of the original furniture, vivid Republican posters accompany a short film of the original 1937 exhibition, while helpful panels and displays of rich archival material recount the political and artistic context.
The exhibition has already been shown in Paris and Barcelona and when its time in London ends on 10 February 2017, there are no plans for it to go elsewhere. That, I think, is a shame. This (Mayoral’s wonderful catalogue aside) is the nearest most of us will get to experiencing the original Paris exposition. Based solely on what is on display here, it must surely have been a sight worth seeing.
Set on a minimalist stage with a cast of two, Dare Devil Rides to Jarama is a surprisingly successful account of the International Speedway star from Oldham, Clem Beckett, during the economically and politically turbulent 1920s and ’30s. The play’s central story – and its climax – recounts his time spent fighting in the Spanish Civil War alongside the writer, Christopher St. John Sprigg (more familiar under his nom de plume of Christopher Caudwell) with whom Beckett struck up a powerful friendship.
David Heywood makes a convincing Beckett and Neil Gore shows off his versatility by playing a number of parts from Sir Oswald Mosley to Christopher Caudwell. The play has some nice touches which (on the occasion that I was there) went down well, including a clever representation of the ‘wall of death’ with a puppet and a lusty sing-a-long to Euan McColl’s Manchester Rambler. There were many opportunities for audience participation (should you be in such a mind); such was the atmosphere, I even noticed a professor of history joining in. No mean feat.
It’s often difficult for historians at these events, particularly if (as is often the case) they are asked how accurate the production is. Often the answer is ‘not very’ though, of course, it should be remembered that the the constraints placed on fiction are rather less demanding than those placed on historical studies. It would be most unwise to take Shakespeare’s plays, John Ford’s westerns or George MacDonald Fraser’s historical novels too literally. To their credit, Townsend Productions‘ writer/actor Neil Gore and director Louise Townsend have clearly worked very hard to tell Beckett’s story as honestly and accurately as possible. I certainly think that the play does a remarkable job in explaining why so many men and women from Britain and Ireland (not to mention another 50 countries from around the globe) chose to leave their homes, families and friends to fight in a foreign civil war.
My only small criticism is that I felt the play was a little unkind to Caudwell/Sprigg. His character was something of a caricature, a bumbling upper-class twit, with the voice of John le Mesurier, yet little of the knowing, ironic humour. In ‘Dare Devil’ Sprigg rather seems to have ended up in the International Brigades, influenced by the strength of character of Beckett, whereas my impression is that ‘Spriggie’ volunteered to fight in much the same way as the other 2500 British and Irish volunteers. Likewise, in the final scene [spoiler alert], Sprigg is nowhere to be seen as Beckett, his French machine-gun having typically jammed, meets his end on the Jarama battlefield. Yet accounts from other member of the battalion fighting that day in February 1937 suggest that Beckett and Caudwell fell side by side, as inseparable in death as they had become in life. To be fair, a cast of two – one of whom needs to be operating the lighting – does rather limit one’s options.
But don’t let this small gripe put you off. Dare Devil Rides to Jarama is a powerful, atmospheric production and you have the additional satisfaction of knowing that, by going, you are supporting the work of the IBMT, who helped fund it. The play is on tour around the country at the moment, with dates available up to March 2017. Catch it while you can.
He gave what was, in many ways, a remarkable speech. Erudite, informative and wide-ranging, the topic was clearly dear to the President’s heart and his talk appeared to have been many years in the writing. It resisted clichés and over-simplifications, acknowledging that the war in Spain cannot be reduced to a binary struggle between good and evil, as the poet Stephen Spender once claimed. It was not, argued President Higgins, simply between Catholicism and Communism nor, for that matter, was it a straightforward struggle between democracy and fascism.
The speech was consistently generous in tone as well as content, and its conclusion generously praised the work of the Trust today, while honouring the efforts of the volunteers fighting for democratic Spain all those years ago:
Ba cheart dúinn, mar náisiún, a bheith an-bhródúil as na fir is na mná cróga Éireannach a chuaigh leis an Bhriogáid Idirnáisiúnta sa bhliain 1936. Is mian liom sibh a mholadh as an obair atá ar siúl agaibh le cuimhne agus le luachanna na ndaoine a throid ar mhachaire catha na Spáinne, ar son na saoirse i ngach áit, a choinneáil beo.
[As a nation we can be very proud of the brave Irish men and women who joined the International Brigade in 1936. May I commend you, therefore, for the work you do in keeping alive the memory and the values of all those who bravely fought for ‘freedom everywhere’ on the battlefields of Spain almost eighty years ago.]
Initially, as people arrived, the atmosphere seemed a little muted, with people’s minds – and many of the conversations – seemingly dominated by the tumultuous political events of the previous week. Several of the speakers would later allude to the referendum on membership of the European Union and what, for many of those present, was a feeling of lingering sadness. The overhead presence of a police helicopter monitoring the latest demonstration in support of Britain’s continued membership of the E.U. acted as a constant reminder.
However, the ceremony itself was a good tonic. This year saw perhaps the most balanced combination of speakers and performers. Compered, as usual, by IBMT Secretary Jim Jump, the afternoon’s events opened with two uplifting songs from long-standing favourites, folk duo Na Mara.
Almudena Cros, President of AABI (the Spanish Friends of the International Brigades) followed, delivering a typically passionate and heartfelt speech, referring to the internationalism of the volunteers in the 1930s and beseeching the current residents of the UK to echo their internationalism and not withdraw from Europe.
After the singing of ‘There’s a valley in Spain called Jarama‘, the laying of wreaths in front of the memorial and a dignified minute’s silence, it was the turn of Spanish rapper Perro Lobo. I confess to wondering how a performer rapping in Spanish might go down with the (not exactly teenage) IBMT crowd, but I needn’t have worried. His performance was more poetry than rap; the powerful lyrics were delivered with anger, but there was real eloquence there too.
More music followed from Neil Gore, who is presently involved in putting on a performance about Clem Beckett, the motorcycle speedway star of the ’30s who was killed on the first day of the battle of Jarama in February 1937. I particularly enjoyed Neil’s accompanied version of Si mi queires escribir.
The penultimate speaker was Paul Preston, Emeritus Professor of Contemporary Spanish History at the London School of Economics, author of numerous books on the Spanish Civil War and Twentieth Century Spanish history [see video above]. He explained why the Spanish Civil War and its memory continue to matter. Paul concluded with a poignant excerpt from a virtually unknown American novelist, Josephine Herbst, on her – and many others’ – inability to adjust to life following the end of the Spanish tragedy.
The last of the speakers was the irrepressible Rodney Bickerstaffe, IBMT patron and former General Secretary of UNISON and President of the National Pensioners’ Convention. In his characteristically drole and entertaining manner, Rodney launched a call to arms, or rather a call to join. As he pointed out, supporting the IBMT’s valuable work – erecting memorials, holding commemorations, helping to educate people about the sacrifice of the volunteers for the Spanish Republic – only works out at a few pence per day. Money well spent!
The final act was a reading of two poems by another IBMT patron, the actress Maxine Peake. The first was ‘The Dead Have No Regrets’ by Aileen Palmer, an Australian nurse who volunteered for Spain. The second is familiar to most IBMT members: Cecil Day Lewis’s, ‘The Volunteer’. It’s an emotional piece, as the catch in Maxine’s voice during her reading showed. As a professional she may have been disappointed at becoming overwhelmed, but I don’t think she should be. Sometimes it’s good to see what lies beneath the greasepaint.
While the story of the International Brigades’ involvement in the defence of Madrid in 1936-1937 is well known, their involvement in bitter fighting in southern Spain during the winter of 1936 and the spring of 1937 is less well documented.
Determined efforts to correct this oversight were made during two days of events in April 2016, when the sacrifices of the International Brigades on behalf of the Spanish Republic were remembered in several Andalucian villages, just east of Cordóba. The homanajes – well-attended and supported by local politicians – saw the unveiling of several new plaques commemorating the Spanish Republic’s fight against fascism.
Friday 8 April saw events held in three separate villages: La Granjuela, Belalcázar and Valsequillo. In front of friends and family members from Spain, Britain, France, Ireland and the United States, the mayors of the villages unveiled memorials and expressed their gratitude for the volunteers’ efforts and sacrifices all those years ago. At the final event in Valsequillo, local dignitaries were joined by Rosa Aguilar, Andalucia’s Minister for Culture, who spoke movingly on the importance of the recuperation of historical memory. As the local media reported, attempts by a local fascist to interrupt the event by blasting Franco’s anthem, Caro al Sol, out of an open window were rather drowned out by the music, singing and laughter of the numerous Republican supporters.
Saturday’s events began with a commemoration in front of the railway station at Andújar, where Internationals – many of them veterans of the fighting in Madrid – had disembarked in December 1936, following their posting to the southern front. From here the volunteers advanced to the front, near the village of Lopera, scene of the subsequent commemoration. Here, a local historian described – in eloquent and moving detail – the terrible events of the battle of Lopera on 28 December 1936. Outgunned and unprotected from aerial bombardment, Republican attempts to assault the high ground held by experienced Franco’s Moroccan soldiers were doomed to failure. During the vicious fighting many, many volunteers lost their lives, including the popular and respected Marxist scholar, Ralph Fox, and the Cambridge intellectual, poet and political activist, John Cornford.
In the village of Lopera itself a memorial to Fox and Cornford has been erected. Here relatives gathered to remember them, hearing accounts of volunteers’ reasons for joining the fight for democracy in Spain, together with a moving recital of one of John Cornford’s poems by the daughter of an Irish volunteer.
The final event of the two-day homanaje was the unveiling of a plaque in the centre of Lopera. The village’s mayor earned widespread applause for her declaration that the commemoration marked only the beginning of a series of events to commemorate the democratic government’s fight against Franco and his allies, Nazi Germany and fascist Italy. It looks likely that these will include an international conference in November 2106 to mark the 80th anniversary of the arrival of the International Brigades. Watch this space.
My thanks to all of those involved in organising the two day’s events, particularly AABI’s Almudena Cros and Seve Montero and the IBMT’s Pauline Fraser. It was, I think (and by all accounts), a resounding success.
This year’s Annual General Meeting of the International Brigade Memorial Trust was held in the Granite City: Aberdeen. As ever, the AGM itself was only a small part of a wider weekend of events, which included the dedication of memorials to two former Scottish members of the International Brigades: Bob Cooney and John Londragan.
During the AGM there were elections for the first time in the IBMT’s history. With room for only eleven of the twelve candidates standing for the central committee, Education Officer Richard Thorpe unfortunately missed out. With Charles Jepson stepping down as Treasurer (and standing instead for Chair), long-standing IBMT member Manuel Moreno stepped up to replace him. I replaced Dolores Long as Chair, having defeated Charles Jepson by 3 votes to 22.
I have been attending the IBMT‘s annual in commemoration in London for over ten years now and, in my opinion, this year’s event was the best yet. Fears that the death of the last UK veteran would lead to an inevitable decline in the charities fortune have certainly proved to be ill-founded. Attendance this year was higher than ever.
Clearly the weather played a part and there’s no denying that Owen Jones is a big draw. And not to forget a plug from the consistently supportive Robert Elms. But there was more to it than that. This year’s line-up was not just strong, it was well-balanced: a few, well-delivered speeches, some atmospheric music and the recital of an extremely moving poem.
Speaking and performing at this year’s event in Jubilee Gardens were:
On 4th June I joined Edward Ayers and Colin Carritt at St. Giles’ College to talk about the involvement of men and women from Oxfordshire in the Spanish Civil War. The event was held as part of a campaign to erect a new memorial in Bonn Square, a prestigious site in the city centre.
As Colin and Edward explained, they both had relatives who volunteered for Spain. Colin’s father, Noel Carritt fought and was wounded at the battle of Jarama in February 1937, before joining the medical services at Huete hospital. His uncle, Tony, served as an ambulance driver. He was badly injured during the Brunete offensive of July 1937 and later died of his wounds in hospital.
Ed’s great uncle, George Leeson, fought alongside Noel Carritt at Jarama and was taken prisoner on 13 February 1937. He spend three months in a Francoist prisoner-of-war camp, before being released and repatriated back to Britain.
In the Q&A following the talks the audience, primarily undergraduates, demonstrated a wide knowledge not just of the civil war, but of the situation in contemporary Spain. Speaking personally, I thoroughly enjoyed it, as I did the event itself.
Since the charity’s inception in 2001, the International Brigade Memorial Trust has organised an annual lecture in memory of Dr. Len Crome, a Blackburn GP who went to serve as a medic in Republican Spain in December 1936, and whose inspirational leadership led him to become Chief of Medical Services for the 35th Division of the Spanish Army during the civil war of 1936-1939.
The Len Crome memorial lectures have featured renowned scholars from around the world including, among many others, Peter Carroll, Helen Graham, Paul Preston and Angel Viñas. In 2010, the first nine lectures were released in a volume, edited by Jim Jump, and published by Lawrence and Wishart: Looking Back at the Spanish Civil War. Two years ago, with London’s Imperial War Museum closed for renovation, the event moved to Manchester and took on a new format, with four speakers and a discussion, rather than one keynote speaker. Chaired by Professor Mary Vincent of the University of Sheffield, the first conference in 2013 looked at George Orwell and Spain, with last year’s examining the Spanish Civil War’s cultural and artistic legacy. This year, with Paul Preston back in the chair, the conference was centred on perhaps the most famous artwork of the twentieth Century, inspired by the Nationalists’ horrific destruction of a small Basque market town on 26 April 1937.
Over the course of the day, there were four lectures on the bombing of Guernica (Gernika) and its consequences. In the opening talk, the author of Telegram from Guernica and former BBC producer Nick Rankin, outlined the key role of Times journalist George Steer in bringing news of the destruction of the Basque town to Britain. Steer’s account of the bombing remains one of the most powerful and important pieces of reporting in English to have come out of the war. But, as Rankin explained, Steer went beyond the usual dispassionate role of a journalist, by wiring his report direct to the Labour M.P. Philip Noel Baker. This meant that news of the horrific destruction of Guernica could be raised in the House of Commons before it had even appeared on Britain’s streets. Steer, a determined supporter of the Basques during the civil war, was later honoured with a plaque in Bilbao and a statue in Guernica itself.
Gijs van Hensbergen, art historian and best-selling author, is a world expert on Gaudi and Picasso’s Guernica. His deconstruction of Picasso’s painting and his account of the artist’s life were fascinating and I suspect many of the audience will have been spurred to go on and read his book, Guernica: The Biography of a Twentieth-Century Icon. Gijs outlined how the iconic painting became a powerful weapon in the propaganda battle against Fascism.
Basque historian Xabier Irujo brought the event back to the actual bombing itself. In a forensic examination of the events of 26 April 1937, he demonstrated how the Germans – and Italians – systematically destroyed the town with high explosive and incendiary bombs, while planes circled around it machine-gunning any poor victims who attempted to escape. As he showed, the destruction and high number of casualties was no accident; a foretaste of the Nazi’s deliberately murderous approach to war.
The final talk was by Manual Moreno, who introduced a personal account of the consequences of the bombing. The son of one of the 4000 Basque children who were evacuated to Britain in June 1937, Manuel outlined the efforts made by the people of Britain on behalf of the Basque refugees and the Spanish Republic itself. Nearly eighty years have passed since the war, yet it was clear from Manuel’s emotional speech, that while he remains grateful to the British people for their efforts in support of the Spanish Republic, he continues to feel incensed with the British Government for their refusal to do likewise.
A video of the event will be released by the IBMT in the coming weeks.
On Saturday 14 February 2015, I travelled down to England’s south coast to talk about two British artists who fought in the Spanish Civil War: Felicia Browne and Clive Branson. Both artists were featured in a wonderful exhibition, ‘Conscience and Conflict’, at Chichester’s Pallant House Gallery.
As reviews in newspapers such as The Telegraph and The Guardian make abundantly clear, this is a very special exhibition. Intelligently and knowledgeably curated, it features an array of stunning artistic work, set alongside posters, artefacts and contemporary film, to give a powerful sense of the depth and power of the British artistic movement in support of the Spanish Republic.
For those unfortunate enough to have missed the exhibition at Chichester (it closed the day after my talk), it will be appearing at the Laing Gallery in Newcastle, from 7 March to 7 June, 2015.